[ eyebrows up, the picture of innocence. and yet still so clearly not Sprezzatura—so why does she wear her shape? ]
Beats me. Something like... her parents burned it down, or she burned it down, or maybe she just got blamed for it... The whole building pretty much collapsed. [ the room groans, as if threatening to make true that claim ] You know how hard it is to manage that, when the whole place is crawling with magicians?
Important to her somehow, then. The loss of this place, I mean, or else it wouldn’t be so cemented in her memory. Maybe you wouldn’t have made this your hideaway.
Not at all. In fact, I'll point out the obvious -- you look just like Ms Vaux.
[And finally, a departure from his straight-backed stance. He leans forward, challenging her so-called coyness with some skepticism; not that he has to angle himself much, given how close she is.]
[ ah. perfect. she's going to jolt a hand up and grip his chin, almost inexorably, so she can murmur into the air by his ear: ] Because it bothers people. Hope that helps!
Edited (you didn't see that) 2022-07-30 05:53 (UTC)
[It’s the audacity of her grip that does it — the quickness, the force behind it, even if she doesn’t deign to grab tightly. But either way, Henry’s own hand reaches upward, latches onto her wrist. Fingers coiled tight.]
It tells me you’re sadistic for the sake of it. No greater meaning than that?
It's in my nature. Really! I've gotta put the screws to somebody, and I'm not exactly stretching my legs, here.
[ overall, the sense is not of a woman who is worried about that intense manner of reaction. no, she just wants to keep Sprezzatura down for as long as this guy's still in the "room". releasing his chin—one finger at a time. ]
You're saying you wouldn't mind it if I had a better reason?
[As her fingers peel away, so does his own grip, loosening in tandem. At some point, he’ll straighten again as his arm drops back down to his side, his whole demeanor coiling back into a pleasant state.]
I just think if you’re choosing violence, you should at least make it productive.
[(Henry is a hypocrite in many ways. One should take his idealizing with the appropriate grain of salt. He does not possess enough self-awareness, or the want for self-examination, to know otherwise.)]
That said, I can’t blame a girl for wanting freedom. I hate to see anyone caged up. Maybe I can talk to your host about it sometime.
[Oh, he's going to get glass in his hair at this rate. He holds up a forearm to shield his mismatched eyes from the glistening shower.]
Why not, Svetka? Maybe if she understood where you were coming from, she'd have a better chance of letting you out now and again. And it can't be much easier for her, either, keeping you boxed up like this. I bet you make a lot of noise when you want to.
no subject
she's too close again, when he turns, and wreathed in smoke and embers. ]
Hmmm. Svetka.
no subject
Svetka. I'm Henry.
no subject
Well. Henry... She's gonna be pissed at you when you get out. You wanna talk to me that bad?
no subject
[He's already here. And besides, surely he can spin this more positively once he's out of her head.]
I'm here to talk for as long as you're willing. And I want to discuss this place -- this burning library.
no subject
What's so interesting about it?
no subject
Well, I can’t imagine it’s a very happy memory. What happened?
no subject
Beats me. Something like... her parents burned it down, or she burned it down, or maybe she just got blamed for it... The whole building pretty much collapsed. [ the room groans, as if threatening to make true that claim ] You know how hard it is to manage that, when the whole place is crawling with magicians?
no subject
Keenly aware of structure of this place, how it protests against the fire, though.]
I don’t. But I’ll take your word for it.
These are all books on magic, though?
no subject
no subject
Important to her somehow, then. The loss of this place, I mean, or else it wouldn’t be so cemented in her memory. Maybe you wouldn’t have made this your hideaway.
no subject
with a cheerful scrunch, showing her very, very sharp teeth, ] I like it here. Tortures her.
no subject
And what did she do to earn your ire? Or is it all just for fun?
no subject
Hey, do you know what an oni is? Ever heard of one?
no subject
But he plays along. An oni. He has heard of it before somewhere. Read about it, perhaps, in days long past.]
A demon, isn't it? Of Japanese folklore. Giant, evil, murderous.
no subject
Aw, do I look giant to you?
no subject
[And finally, a departure from his straight-backed stance. He leans forward, challenging her so-called coyness with some skepticism; not that he has to angle himself much, given how close she is.]
Why's that?
no subject
no subject
It tells me you’re sadistic for the sake of it. No greater meaning than that?
[Let go.]
/2
no subject
[ overall, the sense is not of a woman who is worried about that intense manner of reaction. no, she just wants to keep Sprezzatura down for as long as this guy's still in the "room". releasing his chin—one finger at a time. ]
You're saying you wouldn't mind it if I had a better reason?
no subject
I just think if you’re choosing violence, you should at least make it productive.
[(Henry is a hypocrite in many ways. One should take his idealizing with the appropriate grain of salt. He does not possess enough self-awareness, or the want for self-examination, to know otherwise.)]
That said, I can’t blame a girl for wanting freedom. I hate to see anyone caged up. Maybe I can talk to your host about it sometime.
no subject
For me? Would ya?
[ tiny shards of glass are raining down on them ]
no subject
Why not, Svetka? Maybe if she understood where you were coming from, she'd have a better chance of letting you out now and again. And it can't be much easier for her, either, keeping you boxed up like this. I bet you make a lot of noise when you want to.
no subject
It almost sounds like you want an evil, murderous oni walking around.
no subject
[Wry. It would make about as much sense as anything else thus far.
In the end, that’s a non-answer.]
Well. I should leave before Ms Vaux gets too upset. See you around?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)